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Darkman

Darkman

Action · Science Fiction · Thriller · 1990

Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.

Movie details

Darkman

“They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.”

1990 Action · Science Fiction · Thriller 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Darkman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sam Raimi

Written by

Chuck Pfarrer · Sam Raimi · Ivan Raimi · Joshua Goldin

Liam Neeson

Liam Neeson

Peyton Westlake / Darkman

Frances McDormand

Frances McDormand

Julie Hastings

Colin Friels

Colin Friels

Louis Strack Jr.

Larry Drake

Larry Drake

Robert G. Durant

Nelson Mashita

Nelson Mashita

Yakitito

Jessie Lawrence Ferguson

Jessie Lawrence Ferguson

Eddie Black

Rafael H. Robledo

Rafael H. Robledo

Rudy Guzman

Court is in session

Put Darkman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.