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Trancers

Trancers

Science Fiction · Crime · 1984

Angel City trooper Jack Deth is sent back in time from 2247 to 1985 L.A. to inhabit the body of his ancestor. Deth's assignment is to find his archenemy, Whistler, who turns people into zombies, before the fiend is able to kill all the ancestors of the future's governing council.

Movie details

Trancers

“His name is Deth. He hunts Trancers. Even in the 20th Century.”

1984 Science Fiction · Crime 1h 17m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Angel City trooper Jack Deth is sent back in time from 2247 to 1985 L.A. to inhabit the body of his ancestor. Deth's assignment is to find his archenemy, Whistler, who turns people into zombies, before the fiend is able to kill all the ancestors of the future's governing council.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trancers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Charles Band

Written by

Danny Bilson · Paul De Meo

Tim Thomerson

Tim Thomerson

Trooper Jack Deth

Helen Hunt

Helen Hunt

Leena

B

Biff Manard

Hap Ashby

M

Michael Stefani

Martin Whistler / Detective Weisling

Art LaFleur

Art LaFleur

McNulty

Telma Hopkins

Telma Hopkins

Ruth Raines

Richard Herd

Richard Herd

Chairman Spencer

Court is in session

Put Trancers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.