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Primary Colors

Primary Colors

Drama · Comedy · 1998

In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

Movie details

Primary Colors

“What went down on the way to the top.”

1998 Drama · Comedy 2h 23m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Primary Colors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Nichols

Written by

Elaine May

John Travolta

John Travolta

Jack Stanton

Emma Thompson

Emma Thompson

Susan Stanton

Billy Bob Thornton

Billy Bob Thornton

Richard Jemmons

Adrian Lester

Adrian Lester

Henry Burton

Maura Tierney

Maura Tierney

Daisy Green

Paul Guilfoyle

Paul Guilfoyle

Howard Ferguson

Larry Hagman

Larry Hagman

Gov. Fred Picker

Court is in session

Put Primary Colors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.