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Bordello of Blood

Bordello of Blood

Horror · Comedy · 1996

Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine's boss, televangelist Jimmy Current.

Movie details

Bordello of Blood

“Evil bites!”

1996 Horror · Comedy 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine's boss, televangelist Jimmy Current.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bordello of Blood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gilbert Adler

Written by

Gilbert Adler · Robert Zemeckis · Bob Gale · A L Katz

Dennis Miller

Dennis Miller

Rafe Guttman

Erika Eleniak

Erika Eleniak

Katherine Verdoux

Angie Everhart

Angie Everhart

Lillith

Chris Sarandon

Chris Sarandon

Reverend Current

Corey Feldman

Corey Feldman

Caleb Verdoux

John Kassir

John Kassir

The Crypt Keeper (voice)

William Sadler

William Sadler

Mummy

Court is in session

Put Bordello of Blood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.