The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Bordello of Blood
Horror · Comedy · 1996
A seedy private eye gets more than he ever bargained for when a missing persons case leads him to a brothel overseen by the mother of vampires and her lusty army of the undead.
Movie details
Bordello of Blood
“Evil bites!”
1996 Horror · Comedy 1h 27m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
A seedy private eye gets more than he ever bargained for when a missing persons case leads him to a brothel overseen by the mother of vampires and her lusty army of the undead.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Bordello of Blood?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
The Lair of the White Worm
Horror · 1988
When an archaeologist uncovers a strange skull in a foreign land, the residents of a nearby town begin to disappear, leading to further inexplicable occurrences.
Vamp
Comedy · 1986
Two fraternity pledges go to a sleazy bar in search of a stripper for their college friends, unaware it is occupied by vampires.
Night of the Demons 2
Horror · 1994
Angela, the hostess from hell, summons her army of teen demons when teenagers from St. Rita's High School decide to party at the haunted Hull House on Halloween.
Deathgasm
Horror · 2015
Two teenage boys unwittingly summon an ancient evil entity known as The Blind One by delving into black magic while trying to escape their mundane lives.
Idle Hands
Comedy · 1999
Anton is a cheerful but exceedingly non-ambitious 17-year-old stoner who lives to stay buzzed, watch TV, and moon over Molly, the beautiful girl who lives next door. However, it turns out that the old cliché about idle hands being the devil's playground has a kernel of truth after all.
Scream Blacula Scream
Horror · 1973
After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.
Vampyres
Horror · 1974
A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.
Taste the Blood of Dracula
Horror · 1970
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
Multiple Maniacs
Comedy · 1970
The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.
Vampires
Action · 1998
The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.
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Names above the title
The people responsible.
Cast & crew
Directed by
Gilbert Adler
Written by
Gilbert Adler · A L Katz · Bob Gale · Robert Zemeckis
Dennis Miller
Rafe Guttman
Erika Eleniak
Katherine Verdoux
Angie Everhart
Lillith
Chris Sarandon
Reverend Current
Corey Feldman
Caleb Verdoux
John Kassir
The Crypt Keeper (voice)
William Sadler
Mummy
Court is in session
Put Bordello of Blood on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.