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Je Tu Il Elle

Je Tu Il Elle

Drama · Romance · 1974

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

Movie details

Je Tu Il Elle

1974 Drama · Romance 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Je Tu Il Elle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Young Lovers

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Elegant, retired architect Shauna (70) crosses paths with Pierre, a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously. Both are quite troubled to meet again and begin an affair. While Pierre’s family life is soon turned upside down, Shauna struggles with feelings she thought belonged to the past.

A Nos Amours

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Happiness

Happiness

Drama · 1965

Though married to the good-natured, beautiful Thérèse, young husband and father François finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda's most provocative films, 'Le bonheur' examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.

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Names above the title

The people responsible.

Directed by

Chantal Akerman

Written by

Chantal Akerman · Paul Paquay · Eric de Kuyper

Chantal Akerman

Chantal Akerman

Julie

Niels Arestrup

Niels Arestrup

Truck Driver

Claire Wauthion

Claire Wauthion

Girlfriend

Court is in session

Put Je Tu Il Elle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.