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Gervaise

Gervaise

Romance · Drama · 1956

Gervaise Macquart is a beautiful Parisian laundress and mother whose lover, Lantier, walks out on her. She eventually marries Henri Coupeau, a roofer who has an unfortunate accident. As her now crippled husband descends into alcoholism, Gervaise tries to make ends meet on her own. Life becomes even more complicated when Lantier returns and befriends Henri. Meanwhile, the man she really loves is sent to prison.

Movie details

Gervaise

1956 Romance · Drama 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Gervaise Macquart is a beautiful Parisian laundress and mother whose lover, Lantier, walks out on her. She eventually marries Henri Coupeau, a roofer who has an unfortunate accident. As her now crippled husband descends into alcoholism, Gervaise tries to make ends meet on her own. Life becomes even more complicated when Lantier returns and befriends Henri. Meanwhile, the man she really loves is sent to prison.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gervaise?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

René Clément

Written by

Jean Aurenche · Pierre Bost

Maria Schell

Maria Schell

Gervaise Macquart Coupeau, une blanchisseuse douce et courageuse

François Périer

François Périer

Henri Coupeau - le second compagnon de Gervaise, un ouvrier zingueur

Jany Holt

Jany Holt

Mme Lorilleux - la soeur revêche de Coupeau

Mathilde Casadesus

Mathilde Casadesus

Mme Boche - la concierge curieuse

Suzy Delair

Suzy Delair

Virginie Poisson, une rivale de Gervaise

Armand Mestral

Armand Mestral

Lantier, l'amant de Gervaise

Florelle

Florelle

Maman Coupeau

Court is in session

Put Gervaise on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.