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Maverick

Maverick

Action · Adventure · Comedy · 1994

Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.

Movie details

Maverick

“In their hands, a deck of cards was the only thing more dangerous than a gun.”

1994 Action · Adventure · Comedy 2h 7m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Maverick?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Donner

Written by

William Goldman

Mel Gibson

Mel Gibson

Bret Maverick

Jodie Foster

Jodie Foster

Annabelle Bransford

James Garner

James Garner

Marshal Zane Cooper

Graham Greene

Graham Greene

Joseph

Alfred Molina

Alfred Molina

Angel

James Coburn

James Coburn

Commodore Duvall

Dub Taylor

Dub Taylor

Room Clerk

Court is in session

Put Maverick on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.