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O Brother, Where Art Thou?

O Brother, Where Art Thou?

Adventure · Comedy · Crime · 2000

In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

Movie details

O Brother, Where Art Thou?

“They have a plan, but not a clue.”

2000 Adventure · Comedy · Crime 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over O Brother, Where Art Thou??

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Life

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Two men in 1930s Mississippi become friends after being sentenced to life in prison together for a crime they did not commit.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joel Coen

Written by

Ethan Coen · Joel Coen

George Clooney

George Clooney

Everett

John Turturro

John Turturro

Pete Hogwallop

Tim Blake Nelson

Tim Blake Nelson

Delmar O'Donnell

John Goodman

John Goodman

Big Dan Teague

Holly Hunter

Holly Hunter

Penny

C

Chris Thomas King

Tommy Johnson

Charles Durning

Charles Durning

Pappy O'Daniel

Court is in session

Put O Brother, Where Art Thou? on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Arthouse Gremlin

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.