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Risky Business

Risky Business

Romance · Comedy · Drama · 1983

Meet Joel Goodson, an industrious, college-bound 17-year-old and a responsible, trustworthy son. However, when his parents go away and leave him home alone in the wealthy Chicago suburbs with the Porsche at his disposal he quickly decides he has been good for too long and it is time to enjoy himself. After an unfortunate incident with the Porsche Joel must raise some cash, in a risky way.

Movie details

Risky Business

“There's a time for playing it safe and a time for Risky Business.”

1983 Romance · Comedy · Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Meet Joel Goodson, an industrious, college-bound 17-year-old and a responsible, trustworthy son. However, when his parents go away and leave him home alone in the wealthy Chicago suburbs with the Porsche at his disposal he quickly decides he has been good for too long and it is time to enjoy himself. After an unfortunate incident with the Porsche Joel must raise some cash, in a risky way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Risky Business?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Paul Brickman

Written by

Paul Brickman

Tom Cruise

Tom Cruise

Joel Goodson

Rebecca De Mornay

Rebecca De Mornay

Lana

Joe Pantoliano

Joe Pantoliano

Guido

Richard Masur

Richard Masur

Rutherford

Bronson Pinchot

Bronson Pinchot

Barry

Curtis Armstrong

Curtis Armstrong

Miles Dalby

Nicholas Pryor

Nicholas Pryor

Joel's Father

Court is in session

Put Risky Business on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.