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Heart and Yummie

Heart and Yummie

Adventure · Animation · Family · 2010

Heart is a tyrannosaurus who is found and raised by a herbivore mother. After learning his true nature as a meat eater, he runs away from home and finds a baby ankylosaurus egg that hatches and thinks Heart is his father. After accidentally naming the baby Yummie - thinking he looked tasty - their love for one another tests the bounds of nature vs. nurture.

Movie details

Heart and Yummie

2010 Adventure · Animation · Family 1h 29m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

Heart is a tyrannosaurus who is found and raised by a herbivore mother. After learning his true nature as a meat eater, he runs away from home and finds a baby ankylosaurus egg that hatches and thinks Heart is his father. After accidentally naming the baby Yummie - thinking he looked tasty - their love for one another tests the bounds of nature vs. nurture.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heart and Yummie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Masaya Fujimori

Written by

Osamu Murakami · Hiroaki Jinno

Kappei Yamaguchi

Kappei Yamaguchi

Heart (voice)

Seishirou Katou

Seishirou Katou

Umasou (voice)

Tomoyo Harada

Tomoyo Harada

Mother (voice)

Tokuyoshi Kawashima

Tokuyoshi Kawashima

Light (voice)

Tetsuya Bessho

Tetsuya Bessho

One-eyed Bacu (voice)

Rikako Aikawa

Rikako Aikawa

Heart (young) (voice)

Takuya Kirimoto

Takuya Kirimoto

Gonza (voice)

Court is in session

Put Heart and Yummie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.