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Mikey

Mikey

Horror · 1992

Mikey just needs a good stable home. He's bounced from foster home to foster home his whole life. He finally lands himself with a new loving family, but their perfect little child is not what he appears to be. His previous caretakers all died of mysterious "accidents" that weren't really accidents at all. Mikey is a cold blooded killer, and it doesn't take long for him to aim his sights on his new adoptive family and anyone else who stands in his way.

Movie details

Mikey

“Remember Jason and Freddy were kids once too.”

1992 Horror 1h 30m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Mikey just needs a good stable home. He's bounced from foster home to foster home his whole life. He finally lands himself with a new loving family, but their perfect little child is not what he appears to be. His previous caretakers all died of mysterious "accidents" that weren't really accidents at all. Mikey is a cold blooded killer, and it doesn't take long for him to aim his sights on his new adoptive family and anyone else who stands in his way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mikey?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Dennis Dimster

Written by

Jonathan Glassner

Brian Bonsall

Brian Bonsall

Mikey

Josie Bissett

Josie Bissett

Jessie Owens

Ashley Laurence

Ashley Laurence

Shawn Gilder

Mimi Craven

Mimi Craven

Rachel Trenton

Whit Hertford

Whit Hertford

Ben Owens

John Diehl

John Diehl

Neil Trenton

Mark Venturini

Mark Venturini

Det. Jack Reynolds

Court is in session

Put Mikey on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.