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Boom!

Boom!

Drama · Thriller · Horror · 1968

Secluding herself in an island mansion in the Mediterranean with her servants and nurses, the wealthy Flora "Sissy" Goforth prepares for her impending death -- and she isn't the only one who's waiting. Known for his attraction to the dying rich, poet Chris Flanders ingratiates himself with the wilting Sissy. Although her friend explains Flanders' "Angel of Death" nature to her, Sissy embraces the vulture-like Flanders.

Movie details

Boom!

“Together they devour life”

1968 Drama · Thriller · Horror 1h 53m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Secluding herself in an island mansion in the Mediterranean with her servants and nurses, the wealthy Flora "Sissy" Goforth prepares for her impending death -- and she isn't the only one who's waiting. Known for his attraction to the dying rich, poet Chris Flanders ingratiates himself with the wilting Sissy. Although her friend explains Flanders' "Angel of Death" nature to her, Sissy embraces the vulture-like Flanders.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Boom!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joseph Losey

Written by

Tennessee Williams

Elizabeth Taylor

Elizabeth Taylor

Flora 'Sissy' Goforth

Richard Burton

Richard Burton

Chris Flanders

Noël Coward

Noël Coward

The Witch of Capri

Joanna Shimkus

Joanna Shimkus

Miss Black

Michael Dunn

Michael Dunn

Rudi

Romolo Valli

Romolo Valli

Doctor Luilo

F

Fernando Piazza

Etti

Court is in session

Put Boom! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.