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Torch Song Trilogy

Torch Song Trilogy

Comedy · Drama · Romance · 1988

Arnold Beckoff is looking for love and acceptance, but as a gay man working as a female impersonator in 1970s New York City, neither come easily. After a series of heartaches, Arnold believes he has found the love of his life in Alan, and the couple make plans to adopt. But when tragedy strikes, Arnold's life is shaken to its very core, leading to a confrontation with his overbearing mother, who has never approved of her son's lifestyle.

Movie details

Torch Song Trilogy

“It takes a lot of guts and a helluva sense of humor to live life in Arnold's shoes.”

1988 Comedy · Drama · Romance 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Arnold Beckoff is looking for love and acceptance, but as a gay man working as a female impersonator in 1970s New York City, neither come easily. After a series of heartaches, Arnold believes he has found the love of his life in Alan, and the couple make plans to adopt. But when tragedy strikes, Arnold's life is shaken to its very core, leading to a confrontation with his overbearing mother, who has never approved of her son's lifestyle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Torch Song Trilogy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Bogart

Written by

Harvey Fierstein

Harvey Fierstein

Harvey Fierstein

Arnold Beckoff

Matthew Broderick

Matthew Broderick

Alan Simon

Anne Bancroft

Anne Bancroft

Ma Beckoff

Brian Kerwin

Brian Kerwin

Ed Reese

E

Eddie Castrodad

David

Lorry Goldman

Lorry Goldman

Phil Beckoff

Ken Page

Ken Page

Murray

Court is in session

Put Torch Song Trilogy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.