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Angels and Insects

Angels and Insects

Drama · Romance · 1995

In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.

Movie details

Angels and Insects

“An elegant seduction. An erotic deception. A stunning revelation.”

1995 Drama · Romance 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angels and Insects?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Philip Haas

Written by

Philip Haas · Belinda Haas · A.S. Byatt

Mark Rylance

Mark Rylance

William Adamson

Kristin Scott Thomas

Kristin Scott Thomas

Matty Crompton

Patsy Kensit

Patsy Kensit

Eugenia Alabaster Adamson

Jeremy Kemp

Jeremy Kemp

Sir Harald Alabaster

Douglas Henshall

Douglas Henshall

Edgar Alabaster

Annette Badland

Annette Badland

Lady Alabaster

Chris Larkin

Chris Larkin

Robin

Court is in session

Put Angels and Insects on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.