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...And God Created Woman

...And God Created Woman

Drama · Romance · 1956

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

Movie details

...And God Created Woman

“...but the devil invented Brigitte Bardot!”

1956 Drama · Romance 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over ...And God Created Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Vadim

Written by

Raoul Lévy · Roger Vadim

Brigitte Bardot

Brigitte Bardot

Juliette Hardy

Jean-Louis Trintignant

Jean-Louis Trintignant

Michel Tardieu

Curd Jürgens

Curd Jürgens

Eric Carradine

Jane Marken

Jane Marken

Madame Morin

Jean Tissier

Jean Tissier

M. Vigier-Lefranc

I

Isabelle Corey

Lucienne

J

Jacqueline Ventura

Mme Vigier-Lefranc

Court is in session

Put ...And God Created Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.