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Stopmotion

Stopmotion

Horror · 2024

Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.

Movie details

Stopmotion

“Bring your nightmares to life.”

2024 Horror 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Stopmotion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Robert Morgan

Written by

Robert Morgan · Robin King

Aisling Franciosi

Aisling Franciosi

Ella Blake

Stella Gonet

Stella Gonet

Suzanne Blake

Tom York

Tom York

Tom

Therica Wilson-Read

Therica Wilson-Read

Polly

B

Bridgitta Roy

Doctor Rai

Caoilinn Springall

Caoilinn Springall

Little Girl

Alex Freeborn

Alex Freeborn

Stack

Court is in session

Put Stopmotion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.