The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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American Graffiti
Comedy · Drama · 1973
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
Movie details
American Graffiti
“Where were you in '62?”
1973 Comedy · Drama 1h 52m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over American Graffiti?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Almost Famous
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La Bamba
Drama · 1987
Los Angeles teenager Ritchie Valens becomes an overnight rock 'n' roll success in 1958, thanks to a love ballad called "Donna" that he wrote for his girlfriend. But as his star rises, Valens has conflicts with his jealous brother, Bob, and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
George Lucas
Written by
Willard Huyck · George Lucas · Gloria Katz
Richard Dreyfuss
Curt Henderson
Ron Howard
Steve Bolander
Paul Le Mat
John Milner
Charles Martin Smith
Terry 'The Toad' Fields
Cindy Williams
Laurie Henderson
Candy Clark
Debbie Dunham
Mackenzie Phillips
Carol
Court is in session
Put American Graffiti on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.