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You Kill Me

You Kill Me

Comedy · Crime · Thriller · 2007

While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.

Movie details

You Kill Me

“Professional alcoholic hit man gets life back on track thanks to her”

2007 Comedy · Crime · Thriller 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over You Kill Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Prizzi's Honor

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Married to the Mob

Married to the Mob

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Something Wild

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Crime · 1986

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Action · 1989

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Stand Up Guys

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Thriller · 2012

After serving 28 years in prison for accidentally killing the son of a crime boss, newly paroled gangster Val reunites with his former partners in crime, Doc and Hirsch, for a night on the town. As the three men revisit old haunts, reflect on their glory days and try to make up for lost time, one wrestles with a terrible quandary: Doc has orders to kill Val, and time is running out for him to figure out a way out of his dilemma.

The Morning After

The Morning After

Thriller · 1986

Failed actress Alex Sternbergen wakes up hungover one morning in an apartment she does not recognize, unable to remember the previous evening -- and with a dead body in bed next to her. As she tries to piece together the events of the night, Alex cannot totally rely on friends or her estranged husband, Joaquin, for assistance. Only a single ally, loner ex-policeman Turner Kendall, can help her escape her predicament and find the true killer.

Players

Players

Romance · 2024

New York sportswriter Mack has spent years devising successful hook-up "plays" with her friends, but when she unexpectedly falls for one of her targets, she must learn what it takes to go from simply scoring to playing for keeps.

Desperados

Desperados

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A panicked young woman and her two best friends fly to Mexico to delete a ranting email she sent to her new boyfriend. On arrival, they run into her former beau, who soon gets caught up in their frantic scheme.

Romeo Must Die

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Action · 2000

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One Night at McCool's

One Night at McCool's

Comedy · 2001

On an ordinary night, in an ordinary part of town, a beautiful young woman walks into a bar. Her name is Jewel, and before long she is chatting to bartender Randy. The pair leave together, but he ends up getting into a tussle with her criminal boyfriend, who she then shoots dead, later persuading Randy to take the rap for her. But this isn't the end of it, as both Randy's cousin Carl and the detective assigned to the murder case also fall for Jewel's charms and find themselves caught up in the ensuing events. It seems that any man who meets Jewel falls instantly in love with her, and she's going to use this fully to her own advantage, leaving a trail of havoc in her wake. It also seems that she is going to get away with it - that is, until Randy decides to hire a hitman...

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Names above the title

The people responsible.

Directed by

John Dahl

Written by

Stephen McFeely · Christopher Markus

Ben Kingsley

Ben Kingsley

Frank Falenczyk

Téa Leoni

Téa Leoni

Laurel Pearson

Luke Wilson

Luke Wilson

Tom

Bill Pullman

Bill Pullman

Dave

Dennis Farina

Dennis Farina

Edward O'Leary

Philip Baker Hall

Philip Baker Hall

Roman Krzeminski

Marcus Thomas

Marcus Thomas

Stef Krzeminski

Court is in session

Put You Kill Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Cool Ironist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.