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His Kind of Woman

His Kind of Woman

Crime · Comedy · Thriller · 1951

Career gambler Dan Milner agrees to a $50,000 deal to leave the USA for Mexico, only to find himself entangled with fellow guests at a luxurious resort and suspecting that the man who hired him may be the deported crime boss Nick Ferraro aiming to re-enter to the USA.

Movie details

His Kind of Woman

“They were two of a kind! ...and bound to meet, but neither of them knew what such a meeting would mean!”

1951 Crime · Comedy · Thriller 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Career gambler Dan Milner agrees to a $50,000 deal to leave the USA for Mexico, only to find himself entangled with fellow guests at a luxurious resort and suspecting that the man who hired him may be the deported crime boss Nick Ferraro aiming to re-enter to the USA.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over His Kind of Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Farrow

Written by

Frank Fenton · Jack Leonard · Gerald Drayson Adams

Robert Mitchum

Robert Mitchum

Dan Milner

Jane Russell

Jane Russell

Lenore Brent

Vincent Price

Vincent Price

Mark Cardigan

Tim Holt

Tim Holt

Bill Lusk

Charles McGraw

Charles McGraw

Thompson / Narrator

Marjorie Reynolds

Marjorie Reynolds

Helen Cardigan

Raymond Burr

Raymond Burr

Nick Ferraro

Court is in session

Put His Kind of Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.