“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

Raw Deal
Crime · Thriller · 1948
Joe Sullivan is itching to get out of prison. He's taken the rap for his accomplice Rick, a sadistic mobster who owes him $50,000 from the job they pulled. Rick sets up an escape for Joe, assuming that Joe will be killed while fleeing. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than Rick intended...
Raw Deal
“Bullets! Women! -- Can't Hold a Man Like That!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
Joe Sullivan is itching to get out of prison. He's taken the rap for his accomplice Rick, a sadistic mobster who owes him $50,000 from the job they pulled. Rick sets up an escape for Joe, assuming that Joe will be killed while fleeing. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than Rick intended...
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Raw Deal?
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Anthony Mann
Written by
Leopold Atlas · John C. Higgins
Put Raw Deal on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






