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W.E.

W.E.

Drama · Romance · 2011

In 1998, an auction of the estate of the Duke and Duchess of Windsor causes great excitement. For one woman, Wally Winthrop, it has much more meaning. Wally becomes obsessed by their historic love story. As she learns more about the sacrifices involved, Wally gains her own courage to find happiness.

Movie details

W.E.

“Their affair ignited a scandal. Their passion brought down an empire.”

2011 Drama · Romance 1h 59m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In 1998, an auction of the estate of the Duke and Duchess of Windsor causes great excitement. For one woman, Wally Winthrop, it has much more meaning. Wally becomes obsessed by their historic love story. As she learns more about the sacrifices involved, Wally gains her own courage to find happiness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over W.E.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Madonna

Written by

Madonna · Alek Keshishian

Abbie Cornish

Abbie Cornish

Wally Winthrop

Andrea Riseborough

Andrea Riseborough

Wallis Simpson

James D'Arcy

James D'Arcy

Edward

Oscar Isaac

Oscar Isaac

Evgeni

Richard Coyle

Richard Coyle

William Winthrop

David Harbour

David Harbour

Ernest

James Fox

James Fox

King George V

Court is in session

Put W.E. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.