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Project Wolf Hunting

Project Wolf Hunting

Action · Thriller · Horror · 2022

While under heavily armed guard, the dangerous convicts aboard a cargo ship unite in a coordinated escape attempt that soon escalates into a bloody, all-out riot. But as the fugitives continue their brutal campaign of terror, they soon discover that not even the most vicious among them is safe from the horror they unknowingly unleashed from the darkness below deck.

Movie details

Project Wolf Hunting

“A floating hell with no escape.”

2022 Action · Thriller · Horror 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

While under heavily armed guard, the dangerous convicts aboard a cargo ship unite in a coordinated escape attempt that soon escalates into a bloody, all-out riot. But as the fugitives continue their brutal campaign of terror, they soon discover that not even the most vicious among them is safe from the horror they unknowingly unleashed from the darkness below deck.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Project Wolf Hunting?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Narrow Margin

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Names above the title

The people responsible.

Directed by

Kim Hong-sun

Written by

Kim Hong-sun

Seo In-guk

Seo In-guk

Park Jong-du

Jang Dong-yoon

Jang Dong-yoon

Lee Do-il

Park Ho-san

Park Ho-san

Lee Seok-woo

Jung So-min

Jung So-min

Lee Da-yeon

Ko Chang-seok

Ko Chang-seok

Ko Geon-bae

Jang Young-nam

Jang Young-nam

Choi Myung-ju

Son Jong-hak

Son Jong-hak

Son Soo-cheol

Court is in session

Put Project Wolf Hunting on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Sentimental Softie

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.