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Daylight's End

Daylight's End

Action · Horror · Science Fiction · 2016

Years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures, a rogue drifter on a vengeful hunt stumbles across a band of survivors in an abandoned police station and reluctantly agrees to try to help them defend themselves and escape to the sanctuary they so desperately need.

Movie details

Daylight's End

“The Dead Rise When Daylight Ends”

2016 Action · Horror · Science Fiction 1h 45m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures, a rogue drifter on a vengeful hunt stumbles across a band of survivors in an abandoned police station and reluctantly agrees to try to help them defend themselves and escape to the sanctuary they so desperately need.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daylight's End?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Stakelander

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When his home of New Eden is destroyed by a revitalized Brotherhood and its new Vamp leader, Martin finds himself alone in the badlands of America with only the distant memory of his mentor and legendary vampire hunter, Mister, to guide him.

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Dawn of the Dead

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The Divide

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The Wrath of Becky

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Southbound

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Names above the title

The people responsible.

Directed by

William Kaufman

Written by

Chad Law

Johnny Strong

Johnny Strong

Thomas Rourke

Lance Henriksen

Lance Henriksen

Frank Hill

Louis Mandylor

Louis Mandylor

Ethan Hill

Hakeem Kae-Kazim

Hakeem Kae-Kazim

Chris Whitlock

Farah White

Farah White

Annabelle Wallace

Gary Cairns

Gary Cairns

Drew Macallister

Heather Kafka

Heather Kafka

Earnesta

Court is in session

Put Daylight's End on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.