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Harlequin

Harlequin

Drama · Fantasy · Horror · 1980

Up-and-coming senator Nick Rast's young son is terminally ill with leukemia. A mysterious faith healer, Gregory Wolfe, appears and seems to cure the boy. Rast's wife Sandy falls in love with Wolfe, but the powerful interests behind Rast's career, represented by geriatric monster Doc Wheelan are less happy with events.

Movie details

Harlequin

“Are His Powers More Than Magic?”

1980 Drama · Fantasy · Horror 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Up-and-coming senator Nick Rast's young son is terminally ill with leukemia. A mysterious faith healer, Gregory Wolfe, appears and seems to cure the boy. Rast's wife Sandy falls in love with Wolfe, but the powerful interests behind Rast's career, represented by geriatric monster Doc Wheelan are less happy with events.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Harlequin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Simon Wincer

Written by

Everett De Roche

Robert Powell

Robert Powell

Gregory Wolfe

David Hemmings

David Hemmings

Nick Rast

Carmen Duncan

Carmen Duncan

Sandra Rast

Broderick Crawford

Broderick Crawford

Doc Wheelan

Gus Mercurio

Gus Mercurio

Mr. Bergier

Alan Cassell

Alan Cassell

Mr. Porter

Mark Spain

Mark Spain

Alex Rast

Court is in session

Put Harlequin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.