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Nineteen Eighty-Four

Nineteen Eighty-Four

Drama · Science Fiction · TV Movie · 1954

A man who works for 'The Party' (an all powerful empire led by a man known only as 'Big Brother') begins to have thoughts of rebellion and love for a fellow member. Together they look to help bring down the party.

Movie details

Nineteen Eighty-Four

1954 Drama · Science Fiction · TV Movie 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

A man who works for 'The Party' (an all powerful empire led by a man known only as 'Big Brother') begins to have thoughts of rebellion and love for a fellow member. Together they look to help bring down the party.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nineteen Eighty-Four?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rudolph Cartier

Written by

Nigel Kneale

Peter Cushing

Peter Cushing

Winston Smith

Yvonne Mitchell

Yvonne Mitchell

Julia

Donald Pleasence

Donald Pleasence

Syme

Arnold Diamond

Arnold Diamond

Emanuel Goldstein

C

Campbell Gray

Parsons

André Morell

André Morell

O'Brien

H

Hilda Fenemore

Mrs. Parsons

Court is in session

Put Nineteen Eighty-Four on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.