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Taking a Shot at Love

Taking a Shot at Love

Romance · TV Movie · 2021

Former professional ballet dancer Jenna works with NHL star Ryan Cooper to help him recover from an injury using ballet as therapy, and as they grow close, he helps her mend her injured heart. But when it’s time for Ryan to return to the ice and leave Jenna and her small, Connecticut town, they both must consider the paths they want to take and just maybe, love will find its way.

Movie details

Taking a Shot at Love

2021 Romance · TV Movie 1h 24m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Former professional ballet dancer Jenna works with NHL star Ryan Cooper to help him recover from an injury using ballet as therapy, and as they grow close, he helps her mend her injured heart. But when it’s time for Ryan to return to the ice and leave Jenna and her small, Connecticut town, they both must consider the paths they want to take and just maybe, love will find its way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Taking a Shot at Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Kevin Fair

Written by

Julie Sherman Wolfe · Laura Grant

Alexa PenaVega

Alexa PenaVega

Jenna

Luke Macfarlane

Luke Macfarlane

Ryan "Coop" Cooper

Nolen Dubuc

Nolen Dubuc

Felix

Andrew Dunbar

Andrew Dunbar

Matt

Heather-Claire Nortey

Heather-Claire Nortey

Erin

Kurt Long

Kurt Long

Terry

Kristina Lao

Kristina Lao

Laura Clark

Court is in session

Put Taking a Shot at Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.