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A December Bride

A December Bride

Romance · TV Movie · 2016

Aspiring interior designer Layla is dreading the Christmastime wedding of her cousin who’s marrying Layla’s ex-fiancé. Although Seth is the one responsible for introducing the bride and groom, she begrudgingly accepts his offer to be her date as she’s out of options. Seth gets carried away at the reception and announces they’re engaged, forcing a mortified Layla to keep up the pretense.

Movie details

A December Bride

2016 Romance · TV Movie 1h 24m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Aspiring interior designer Layla is dreading the Christmastime wedding of her cousin who’s marrying Layla’s ex-fiancé. Although Seth is the one responsible for introducing the bride and groom, she begrudgingly accepts his offer to be her date as she’s out of options. Seth gets carried away at the reception and announces they’re engaged, forcing a mortified Layla to keep up the pretense.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A December Bride?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Winning

Written by

David Winning · Karen Berger

Daniel Lissing

Daniel Lissing

Seth

Jessica Lowndes

Jessica Lowndes

Layla

April Telek

April Telek

Darcy Sterling

Karen Kruper

Karen Kruper

Aunt Lorraine

Pauline Egan

Pauline Egan

Jessica Evans

Casey Manderson

Casey Manderson

Beckett O'Reilly

Keith MacKechnie

Keith MacKechnie

Hank O'Reilly

Court is in session

Put A December Bride on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.