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Into the Abyss

Into the Abyss

Documentary · Crime · 2011

We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.

Movie details

Into the Abyss

“A gaze into the abyss of the human soul.”

2011 Documentary · Crime 1h 45m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

17.5K votes

Rotten Tomatoes

92 %

Tomatometer

Metacritic

74 / 100

Metascore

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Into the Abyss?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Werner Herzog

Written by

Werner Herzog

Werner Herzog

Werner Herzog

Narrator (voice)

J

Jason Burkett

Self - Convicted Murderer

R

Richard Lopez

Self - Death House Chaplin (as The Reverend Richard Lopez)

D

Damon Hall

Self - Montgomery County Sheriff's Department

L

Lisa Stolter-Balloun

Self - Daughter and Sister to Victims

C

Charles Richardson

Self - Older Brother of Jeremy

J

Jared Talbert

Self - Citizen of Conroe Texas

Court is in session

Put Into the Abyss on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.