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Deliver Us from Evil

Deliver Us from Evil

Crime · Documentary · 2006

Documentary filmmaker Amy Berg investigates the life of 30-year pedophile Father Oliver O'Grady and exposes the corruption inside the Catholic Church that allowed him to abuse countless children. Victims' stories and a disturbing interview with O'Grady offer a view into the troubled mind of the spiritual leader who moved from parish to parish gaining trust ... all the while betraying so many.

Movie details

Deliver Us from Evil

“For the victims, there's no such thing as salvation.”

2006 Crime · Documentary 1h 41m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Documentary filmmaker Amy Berg investigates the life of 30-year pedophile Father Oliver O'Grady and exposes the corruption inside the Catholic Church that allowed him to abuse countless children. Victims' stories and a disturbing interview with O'Grady offer a view into the troubled mind of the spiritual leader who moved from parish to parish gaining trust ... all the while betraying so many.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Deliver Us from Evil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Amy J. Berg

Written by

Amy J. Berg

O

Oliver O'Grady

Himself

T

Thomas P. Doyle

Himself

Benedict XVI

Benedict XVI

Himself (archive footage)

A

Adam

Himself

M

Monsignor Cain

Himself (archive footage)

J

Jane Degroot

Herself

A

Ann Marie Jyono

Herself

Court is in session

Put Deliver Us from Evil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.