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Percy Jackson: Sea of Monsters

Percy Jackson: Sea of Monsters

Adventure · Family · Fantasy · 2013

In their quest to confront the ultimate evil, Percy and his friends battle swarms of mythical creatures to find the mythical Golden Fleece and to stop an ancient evil from rising.

Movie details

Percy Jackson: Sea of Monsters

“Where There Are Gods, There Are Monsters.”

2013 Adventure · Family · Fantasy 1h 46m

Critical arithmetic

The consensus, allegedly.

IMDb

5.7 / 10

132.8K votes

Rotten Tomatoes

43 %

Tomatometer

Metacritic

39 / 100

Metascore

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In their quest to confront the ultimate evil, Percy and his friends battle swarms of mythical creatures to find the mythical Golden Fleece and to stop an ancient evil from rising.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Percy Jackson: Sea of Monsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Thor Freudenthal

Written by

Marc Guggenheim

Logan Lerman

Logan Lerman

Percy Jackson

Brandon T. Jackson

Brandon T. Jackson

Grover Underwood

Alexandra Daddario

Alexandra Daddario

Annabeth Chase

Douglas Smith

Douglas Smith

Tyson

Leven Rambin

Leven Rambin

Clarisse La Rue

Jake Abel

Jake Abel

Luke Castellan

Katelyn Mager

Katelyn Mager

Young Thalia

Court is in session

Put Percy Jackson: Sea of Monsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Cool Ironist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.