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The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

Adventure · Family · Fantasy · 2005

Four kids travel through a wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a mystical lion.

Movie details

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

“The beloved masterpiece comes to life.”

2005 Adventure · Family · Fantasy 2h 23m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

450.2K votes

Rotten Tomatoes

76 %

Tomatometer

Metacritic

75 / 100

Metascore

TMDB

7.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Four kids travel through a wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a mystical lion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Chronicles of Narnia: The Lion, the Witch and the Wardrobe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Shorts

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The Hobbit: The Battle of the Five Armies

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Where it lives

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Names above the title

The people responsible.

Directed by

Andrew Adamson

Written by

Andrew Adamson · Christopher Markus · Ann Peacock · Stephen McFeely

William Moseley

William Moseley

Peter Pevensie

Anna Popplewell

Anna Popplewell

Susan Pevensie

Skandar Keynes

Skandar Keynes

Edmund Pevensie

Georgie Henley

Georgie Henley

Lucy Pevensie

Liam Neeson

Liam Neeson

Aslan (voice)

Tilda Swinton

Tilda Swinton

White Witch

James McAvoy

James McAvoy

Mr. Tumnus

Court is in session

Put The Chronicles of Narnia: The Lion, the Witch and the Wardrobe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.