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My Week with Marilyn

My Week with Marilyn

Drama · Romance · 2011

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.

Movie details

My Week with Marilyn

“She's worth all the trouble.”

2011 Drama · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Week with Marilyn?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Simon Curtis

Written by

Adrian Hodges

Michelle Williams

Michelle Williams

Marilyn Monroe

Kenneth Branagh

Kenneth Branagh

Sir Laurence Olivier

Eddie Redmayne

Eddie Redmayne

Colin Clark

Dominic Cooper

Dominic Cooper

Milton Greene

Philip Jackson

Philip Jackson

Roger Smith

Derek Jacobi

Derek Jacobi

Sir Owen Morshead

Toby Jones

Toby Jones

Arthur Jacobs

Court is in session

Put My Week with Marilyn on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.