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The Last Manhunt

The Last Manhunt

Western · Crime · Drama · 2022

In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.

Movie details

The Last Manhunt

“In 1909, they entered the desert. Now, the truth will finally emerge.”

2022 Western · Crime · Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Manhunt?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Empire

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In a remote corner of the wild country, a bloody war rages. Travis is a bounty hunter with one last hope of redemption. Gutjuk is a young Indigenous man trying to save the last of his family. Together they embark on a manhunt, which unravels a secret that ultimately pits them against each other.

Where it lives

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Names above the title

The people responsible.

Directed by

Christian Camargo

Written by

Thomas Pa'a Sibbett · Jason Momoa

Martin Sensmeier

Martin Sensmeier

Willie Boy

M

Mainei Kinimaka

Carlotta

Jason Momoa

Jason Momoa

Big Jim

Zahn McClarnon

Zahn McClarnon

William Johnson

Lily Gladstone

Lily Gladstone

Maria

Raoul Max Trujillo

Raoul Max Trujillo

Hyde

Brandon Oakes

Brandon Oakes

Segundo

Court is in session

Put The Last Manhunt on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.