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Final Set

Final Set

Drama · 2021

Thomas was once renowned as a young tennis prodigy, but never had the career he hoped for. At 37, despite his declining physical fitness and shattered knee he decides to compete in the intense qualifying rounds of the French Open at Roland-Garros for one last attempt at glory. Although his wife Eve and mother Judith advise him to give up, Thomas obsessively pushes forward. He will have to fight his own demons and will ultimately face a determined young player who reminds him of his younger self.

Movie details

Final Set

2021 Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Thomas was once renowned as a young tennis prodigy, but never had the career he hoped for. At 37, despite his declining physical fitness and shattered knee he decides to compete in the intense qualifying rounds of the French Open at Roland-Garros for one last attempt at glory. Although his wife Eve and mother Judith advise him to give up, Thomas obsessively pushes forward. He will have to fight his own demons and will ultimately face a determined young player who reminds him of his younger self.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Final Set?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Drama · 2022

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Names above the title

The people responsible.

Directed by

Quentin Reynaud

Written by

Quentin Reynaud

Alex Lutz

Alex Lutz

Thomas J. Edison

Ana Girardot

Ana Girardot

Eve

Kristin Scott Thomas

Kristin Scott Thomas

Judith Edison

Jürgen Briand

Jürgen Briand

Damien Thosso

Leny Mitjana

Leny Mitjana

Tarpichev

Mary Patrux

Mary Patrux

Elle-même

Paul-Henri Mathieu

Paul-Henri Mathieu

Lui-même

Court is in session

Put Final Set on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.