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There Will Be Blood

There Will Be Blood

Drama · 2007

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

Movie details

There Will Be Blood

“There will be greed. There will be vengeance.”

2007 Drama 2h 38m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over There Will Be Blood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Thomas Anderson

Written by

Paul Thomas Anderson

Daniel Day-Lewis

Daniel Day-Lewis

Daniel Plainview

Paul Dano

Paul Dano

Paul Sunday / Eli Sunday

Kevin J. O'Connor

Kevin J. O'Connor

Henry

Ciarán Hinds

Ciarán Hinds

Fletcher Hamilton

Dillon Freasier

Dillon Freasier

H.W. Plainview

Hope Elizabeth Reeves

Hope Elizabeth Reeves

Elizabeth

Colleen Foy

Colleen Foy

Mary Sunday

Court is in session

Put There Will Be Blood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.