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Boulevard Nights

Boulevard Nights

Drama · 1979

Raymond Avila is an ex-gang member trying to build a future. His kid brother Chuco is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals challenge Chuco's gang and ignite a neighborhood war.

Movie details

Boulevard Nights

“Everything happens on the boulevard - and the boulevard happens at night.”

1979 Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Raymond Avila is an ex-gang member trying to build a future. His kid brother Chuco is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals challenge Chuco's gang and ignite a neighborhood war.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Boulevard Nights?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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South Central

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Names above the title

The people responsible.

Directed by

Michael Pressman

Written by

Desmond Nakano · Michael Scheff

Richard Yniguez

Richard Yniguez

Raymond Avila

Danny De La Paz

Danny De La Paz

Chuco Avila

Marta DuBois

Marta DuBois

Shady Landeros

J

James Victor

Gil Moreno

Betty Carvalho

Betty Carvalho

Mrs. Avila

Carmen Zapata

Carmen Zapata

Mrs. Landeros

Victor Millan

Victor Millan

Mr. Landeros

Court is in session

Put Boulevard Nights on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.