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Under the Open Sky

Under the Open Sky

Crime · Drama · 2021

Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him.

Movie details

Under the Open Sky

2021 Crime · Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Under the Open Sky?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Miwa Nishikawa

Written by

Miwa Nishikawa

Koji Yakusho

Koji Yakusho

Mikami Masao

Taiga Nakano

Taiga Nakano

Tsunoda Ryutaro

Masami Nagasawa

Masami Nagasawa

Yoshizawa Haruka

Isao Hashizume

Isao Hashizume

Shoji Tsutomu

Rokkaku Seiji

Rokkaku Seiji

Matsumoto Ryosuke

Yukiya Kitamura

Yukiya Kitamura

Iguchi Hisatoshi

Narumi Yasuda

Narumi Yasuda

Nishio Kumiko

Court is in session

Put Under the Open Sky on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.