“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Detective Conan: The Time Bombed Skyscraper
Animation · Crime · Mystery · 1997
Once brilliant teenage detective Shinichi Kudo was given a poison that reverted him to a 4-year-old. He's adopted the pseudonym Conan Edogawa so no one (save for an eccentric inventor) will know. Now he's got to solve a series of bombings before his loved ones become victims. Who is this madman and why is he doing this? Only the young genius can save the day but will even he be up to the task?
Detective Conan: The Time Bombed Skyscraper
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.4 / 10
Community rating
Once brilliant teenage detective Shinichi Kudo was given a poison that reverted him to a 4-year-old. He's adopted the pseudonym Conan Edogawa so no one (save for an eccentric inventor) will know. Now he's got to solve a series of bombings before his loved ones become victims. Who is this madman and why is he doing this? Only the young genius can save the day but will even he be up to the task?
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Detective Conan: The Time Bombed Skyscraper?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Kenji Kodama
Written by
Kazunari Kouchi
Put Detective Conan: The Time Bombed Skyscraper on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






