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The Last Wave

The Last Wave

Drama · Mystery · Horror · 1977

A Sydney lawyer defends five Aboriginal people in a ritualised taboo murder and in the process learns disturbing truths about himself and premonitions.

Movie details

The Last Wave

“Hasn't the weather been strange ...could it be a warning?”

1977 Drama · Mystery · Horror 1h 46m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

12K votes

Rotten Tomatoes

78 %

Tomatometer

Metacritic

85 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A Sydney lawyer defends five Aboriginal people in a ritualised taboo murder and in the process learns disturbing truths about himself and premonitions.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Wave?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Peter Weir

Written by

Peter Weir · Petru Popescu · Tony Morphett

Richard Chamberlain

Richard Chamberlain

David Burton

Olivia Hamnett

Olivia Hamnett

Annie Burton

David Gulpilil

David Gulpilil

Chris Lee

Frederick Parslow

Frederick Parslow

Rev. Burton

Vivean Gray

Vivean Gray

Dr. Whitburn

Athol Compton

Athol Compton

Billy Corman

Peter Carroll

Peter Carroll

Michael Zeadler

Court is in session

Put The Last Wave on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.