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Heavenly Creatures

Heavenly Creatures

Drama · Fantasy · 1994

Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.

Movie details

Heavenly Creatures

“Not all angels are innocent.”

1994 Drama · Fantasy 1h 49m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heavenly Creatures?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Peter Jackson

Written by

Fran Walsh · Peter Jackson

Melanie Lynskey

Melanie Lynskey

Pauline Parker

Kate Winslet

Kate Winslet

Juliet Hulme

Sarah Peirse

Sarah Peirse

Honorah Parker Rieper

Diana Kent

Diana Kent

Hilda Hulme

Clive Merrison

Clive Merrison

Dr. Henry Hulme

S

Simon O'Connor

Herbert Rieper

Jed Brophy

Jed Brophy

John / Nicholas

Court is in session

Put Heavenly Creatures on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.