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Haute Couture

Haute Couture

Drama · 2021

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

Movie details

Haute Couture

2021 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Haute Couture?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sylvie Ohayon

Written by

Sylvie Ohayon · Sylvie Verheyde

Nathalie Baye

Nathalie Baye

Esther

Lyna Khoudri

Lyna Khoudri

Jade

Pascale Arbillot

Pascale Arbillot

Catherine

Soumaye Bocoum

Soumaye Bocoum

Souad

Claude Perron

Claude Perron

Andree

Adam Bessa

Adam Bessa

Abdel

Virgile Bramly

Virgile Bramly

Hammidouche

Court is in session

Put Haute Couture on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.