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All About Eve

All About Eve

Drama · 1950

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

Movie details

All About Eve

“It's all about women... and their men!”

1950 Drama 2h 19m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All About Eve?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joseph L. Mankiewicz

Written by

Joseph L. Mankiewicz

Bette Davis

Bette Davis

Margo Channing

Anne Baxter

Anne Baxter

Eve Harrington

George Sanders

George Sanders

Addison DeWitt

Celeste Holm

Celeste Holm

Karen Richards

Gary Merrill

Gary Merrill

Bill Sampson

Hugh Marlowe

Hugh Marlowe

Lloyd Richards

Thelma Ritter

Thelma Ritter

Birdie Coonan

Court is in session

Put All About Eve on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.