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Driving Miss Daisy

Driving Miss Daisy

Drama · 1989

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

Movie details

Driving Miss Daisy

“The funny, touching and totally irresistible story of a working relationship that became a 25-year friendship.”

1989 Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Driving Miss Daisy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bruce Beresford

Written by

Alfred Uhry

Morgan Freeman

Morgan Freeman

Hoke Colburn

Jessica Tandy

Jessica Tandy

Daisy Werthan

Dan Aykroyd

Dan Aykroyd

Boolie Werthan

Patti LuPone

Patti LuPone

Florine Werthan

Esther Rolle

Esther Rolle

Idella

Joann Havrilla

Joann Havrilla

Miss McClatchey

W

William Hall Jr.

Oscar

Court is in session

Put Driving Miss Daisy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.