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Whoever Slew Auntie Roo?

Whoever Slew Auntie Roo?

Horror · Thriller · 1972

Mrs Rosie Forrest, aka 'Auntie Roo', has a holiday tradition of inviting orphans to her mansion for a party. But Roo isn't completely sane; she lost her husband and is obsessed with her deceased daughter, whose corpse she still keeps in the house. When Katy Coombs sneaks into the party with her brother, Christopher, the deranged biddy abducts the young girl with the hopes of replacing her daughter.

Movie details

Whoever Slew Auntie Roo?

“She's Taking a STAB at Motherhood!”

1972 Horror · Thriller 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Mrs Rosie Forrest, aka 'Auntie Roo', has a holiday tradition of inviting orphans to her mansion for a party. But Roo isn't completely sane; she lost her husband and is obsessed with her deceased daughter, whose corpse she still keeps in the house. When Katy Coombs sneaks into the party with her brother, Christopher, the deranged biddy abducts the young girl with the hopes of replacing her daughter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Whoever Slew Auntie Roo??

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Curtis Harrington

Written by

Robert Blees · Jimmy Sangster

Shelley Winters

Shelley Winters

Mrs Rosie Forrest / 'Auntie Roo'

Mark Lester

Mark Lester

Christopher Coombs

Chloe Franks

Chloe Franks

Katy Coombs

Ralph Richardson

Ralph Richardson

Mr Benton

Lionel Jeffries

Lionel Jeffries

Police Insp. Willoughby

Hugh Griffith

Hugh Griffith

Mr Harrison, The Pigman

Rosalie Crutchley

Rosalie Crutchley

Miss Henley

Court is in session

Put Whoever Slew Auntie Roo? on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.