“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Celia
Drama · Fantasy · Horror · 1989
In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.
Celia
“A tale of innocence corrupted.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Celia?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Ann Turner
Written by
Ann Turner
Put Celia on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.



