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Celia

Celia

Drama · Fantasy · Horror · 1989

In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.

Movie details

Celia

“A tale of innocence corrupted.”

1989 Drama · Fantasy · Horror 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Celia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ann Turner

Written by

Ann Turner

Rebecca Smart

Rebecca Smart

Celia Carmichael

Nicholas Eadie

Nicholas Eadie

Ray Carmichael

Mary-Anne Fahey

Mary-Anne Fahey

Pat Carmichael

Victoria Longley

Victoria Longley

Alice Tanner

M

Margaret Ricketts

Grandmother

J

James Newman

Hobyah's Pack

A

Alexander Hutchinson

Steve Tanner

Court is in session

Put Celia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.