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Hereafter

Hereafter

Drama · Fantasy · 2010

Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.

Movie details

Hereafter

“Touched by death. Changed by life.”

2010 Drama · Fantasy 2h 9m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hereafter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.

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A hard-living salesman becomes a quadriplegic after an accident.

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Dragonfly

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Citizen Kane

Citizen Kane

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Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Where it lives

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Names above the title

The people responsible.

Directed by

Clint Eastwood

Written by

Peter Morgan

Matt Damon

Matt Damon

George Lonegan

Cécile de France

Cécile de France

Marie Lelay

Bryce Dallas Howard

Bryce Dallas Howard

Melanie

Thierry Neuvic

Thierry Neuvic

Didier

Cyndi Mayo-Akeo

Cyndi Mayo-Akeo

Island Hotel Clerk

L

Lisa Griffiths

Stall Owner

Jessica Griffiths

Jessica Griffiths

Island Girl

Court is in session

Put Hereafter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.