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Six Minutes to Midnight

Six Minutes to Midnight

Thriller · Drama · History · 2020

Summer 1939. Influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.

Movie details

Six Minutes to Midnight

“Britain 1939. Hitler's grip is tightening. No-one can be trusted.”

2020 Thriller · Drama · History 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Summer 1939. Influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Six Minutes to Midnight?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Alone in Berlin

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The Monuments Men

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Where it lives

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Names above the title

The people responsible.

Directed by

Andy Goddard

Written by

Andy Goddard · Suzy Eddie Izzard · Celyn Jones

Suzy Eddie Izzard

Suzy Eddie Izzard

Thomas Miller

Carla Juri

Carla Juri

Ilse Keller

James D'Arcy

James D'Arcy

Captain Drey

Celyn Jones

Celyn Jones

Corporal Willis

David Schofield

David Schofield

Colonel Smith

Jim Broadbent

Jim Broadbent

Charlie

Judi Dench

Judi Dench

Miss Rocholl

Court is in session

Put Six Minutes to Midnight on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.