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Overlord

Overlord

Drama · History · War · 1975

During World War II, a young man is called up and, with an increasing sense of foreboding, undertakes his army training ready for D-Day, June 6th, 1944.

Movie details

Overlord

“Code name, D-Day, June 6th 1944”

1975 Drama · History · War 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

During World War II, a young man is called up and, with an increasing sense of foreboding, undertakes his army training ready for D-Day, June 6th, 1944.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Overlord?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican.

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Sergeant York

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War · 1941

Alvin York a hillbilly sharpshooter transforms himself from ruffian to religious pacifist. He is then called to serve his country and despite deep religious and moral objections to fighting becomes one of the most celebrated American heroes of WWI.

Operation Mincemeat

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Patton

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War · 1970

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Names above the title

The people responsible.

Directed by

Stuart Cooper

Written by

Christopher Hudson · Stuart Cooper

B

Brian Stirner

Tom

Davyd Harries

Davyd Harries

Jack

Nicholas Ball

Nicholas Ball

Arthur

Julie Neesam

Julie Neesam

The Girl

S

Sam Sewell

The Trained Soldier

John Franklyn-Robbins

John Franklyn-Robbins

Dad

S

Stella Tanner

Mum

Court is in session

Put Overlord on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.