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Gettysburg

Gettysburg

Drama · History · War · 1993

In the summer of 1863, General Robert E. Lee leads the Confederate Army of Northern Virginia into Gettysburg, Pennsylvania with the goal of marching through to Washington, D.C. The Union Army of the Potomac, under the command of General George G. Meade, forms a defensive position to confront the rebel forces in what will prove to be the decisive battle of the American Civil War.

Movie details

Gettysburg

“Same Land. Same God. Different Dreams.”

1993 Drama · History · War 4h 14m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In the summer of 1863, General Robert E. Lee leads the Confederate Army of Northern Virginia into Gettysburg, Pennsylvania with the goal of marching through to Washington, D.C. The Union Army of the Potomac, under the command of General George G. Meade, forms a defensive position to confront the rebel forces in what will prove to be the decisive battle of the American Civil War.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gettysburg?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ronald F. Maxwell

Written by

Ronald F. Maxwell

Jeff Daniels

Jeff Daniels

Col. Joshua Chamberlain

Tom Berenger

Tom Berenger

Lieut. Gen. James Longstreet

Martin Sheen

Martin Sheen

Gen. Robert E. Lee

Sam Elliott

Sam Elliott

Brig. Gen. John Buford

Stephen Lang

Stephen Lang

Maj. Gen. George E. Pickett

C. Thomas Howell

C. Thomas Howell

Lieut. Thomas D. Chamberlain

Richard Anderson

Richard Anderson

Maj. Gen. George G. Meade

Court is in session

Put Gettysburg on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.