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True Mothers

True Mothers

Drama · 2020

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

Movie details

True Mothers

2020 Drama 2h 20m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

2K votes

Rotten Tomatoes

91 %

Tomatometer

Metacritic

64 / 100

Metascore

TMDB

7.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over True Mothers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Naomi Kawase

Written by

Naomi Kawase

Hiromi Nagasaku

Hiromi Nagasaku

Satoko Kurihara

Arata Iura

Arata Iura

Kiyokazu Kurihara

Aju Makita

Aju Makita

Hikari Katakura

Miyoko Asada

Miyoko Asada

Shizue Asami

Hiroko Nakajima

Hiroko Nakajima

Takako Katakura

Tetsu Hirahara

Tetsu Hirahara

Masaru Katakura

Ren Komai

Ren Komai

Misaki Katakura

Court is in session

Put True Mothers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.